borrego modern


Noted San Diego modernist Sim Bruce Richards was born in 1908 in Oklahoma and came to Phoenix in 1920 with his family. The move was, in part, an effort to find better health care for Richards who as a child developed a severe jaw bone infection when a wheat kernel lodged deep in his gum. It was in Phoenix that Richards first came to know of Frank Lloyd Wright. In 1930, Richards attended Cal Berkley to study architecture. Frustrated with the program and faculty, he transferred to the Art Department and honed his skills as a weaver of abstract rug designs. Frank Lloyd Wright saw some of those designs at a San Francisco exhibit and asked that Richards contact him. At the age of 26, Richards was invited by Wright to join his Taliesin Fellowship. Richards studied at Taliesin from May 1934 through September 1935, coming to San Diego in 1938 to join the Navy. He met his wife Janet at a party and in May 1944 they married. Prior to starting his own San Diego practice, Richards worked for La Jolla architect Harold Abrams, who told him in 1949 to take a vacation, "and you don't have to come back." He didn't, practicing on his own until his death in 1983. His body of work is extensive with some 200 projects which are detailed at www.modernsandiego.com. 1

Much of Sim Bruce Richards' San Diego work is characterized by the use of natural wood and glass. Here in the Anza Borrego desert, Richards has created a haven in adobe - a hacienda in the traditions of early California.

1 Sim Bruce Richards, www.modernsandiego.com


Designed for the McGuire family in 1969, it wasn't until 1975 that the home was built by Weir Brothers Construction, noted for its work in Rancho Santa Fe. The walls are made from adobe, treated at the foundations to retard moisture. The courtyard, its reflecting pool and entrance were all designed by Richards.

The home contains three bedrooms and three baths. The living room and master bedroom feature a fireplace accessible to both rooms. The tiles are from Mexico and specified on the construction plans as being supplied by the owners.


Many of the entry doors, and decorative tiles along with other decorative elements were purchased in Mexico and brought to the site. The plans call for the owners' tile to be installed in the fireplace and other areas. Short adobe walls in the interior separate the space, yet do not block the light or movement of air. Arches in the living and master bedroom frame the view to the west of Indian Head. The adobe wall surrounding the home defines the space and creates privacy. Fountains provide visual and aural interest.


The kitchen of the home has been remodeled, with an interior half-wall of cabinets removed to create a dining space and open the kitchen to the living area.

The initial sketches for this home, done in Richards' own hand, are now housed in the archives of the San Diego Historical Society.